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Creator Information

 

Tita Salina

Country(activity based):
Indonesia
Genre:
Performing Art, Intervention

Profile

Born in 1973. Graduated from Jakarta Institute of Art, majoring Graphic Design in 1994.
Recent 5 main activities are:
- Seven Scenes - 7th Indonesian Contemporary Art & Design/2016/Grand Kemang Hotel, Jakarta (Group Exhibition)
- The Flame of the Pacific/2016/ST Paul St Gallery, Auckland-New Zealand (Personal Exhibition)
- 1st Yinchuan Biennale 'For An Image, Faster than Light/2016/MoCA Yinchuan, China (Group Exhibition)
- 5th Taiwan International Video Art Exhibition 'Negative Horizon'/2016/Hong-Gah Museum, Taipei (Group Exhibition)
- Jakarta Biennale 'Neither Forward Nor Back: Acting in Present/2015/Gudang Sarinah Ekosistem, Jakarta (Group Exhibition)

It has been almost 3 years we work on our specific theme project 'The Flame of The Pacific', an intervention project on geopolitical issues in Pacific Rim. The project will run for another 7 years to complete one decade. So far we have achieved various opportunities internationally such as exhibitions, commission works and residency programs. We aim to create projects based on history and attempts to respond the complexity of the issues with out-of-the-box thinking. Our activities have so far encouraged cross-disciplinary interaction among institutions, activists to journalists. The local and international media covered and helped us in seeing how far our achievement is, but more importantly is how art with its universal value can be a self-fulfillment as well inspire society.

About works / performance

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Autopsy of History, The Serpent (2016, Performance, Intervention)
Photo: Sigit D. Pratama

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180º, Turning Skytower, a landmark in Auckland, New Zealand (2016, Performance, Intervention, Video) Photo: Irwan Ahmett

Irwan_Tita_Restitution of 1755.jpg
Restitution of 1755, The boy with special needs is reciting the Addendum to Treaty of Giyanti 1755. (2015, Performance, Intervention, Video)
Photo: Rangga Aditiawan

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1001st Island - The Most Sustainable Island in Archipelago, 2015, Performance, Intervention, Video Photo: Irwan Ahmett

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Inseparable flakes, 2016, Performance, Intervention, Video mapping Screen capture from the video

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Longevity, Pacific ocean when typhoons approaching Taiwan (2015, Performance, Intervention, Video) Photo: Rangga Aditiawan

Irwan_Tita_5-Salting the Sea.jpg
Salting the sea, (2015, Performance, Intervention, Video)
Photo: Rangga Aditiawan

Comment

The Flame of the Pacific by artists Irwan Ahmett and Tita Salina is a decade-long series of interventions within the ring of fire. Ahmett and Salina have worked together since 2010, responding to urban and public space issues in one of the most populated cities in South East Asia: Jakarta, the capital of Republic of Indonesia. Everyday acts of social disobedience, tactics and spontaneous forms of negotiation and exchange have influenced their modus operandi in producing works since they began working together. Furthermore, Ahmett and Salina speculatively apply a ‘politely subversive’ form of practice they developed in Jakarta to other contexts, through travel to other countries as well building social networks as a way to understand the complexities of globalisation, issues of history, human tragedy, environmental threats, and individual vulnerabilities within the contemporary economic system.


Ahmett and Salina are motivated to explore the territorial boundaries and polemic issues that define Pacific Rim region. They set out to intervene in the status quo through art which reflect the ‘zeitgeist’, as an interactive experience rather creating intellectual spectacle or static knowledge. This approach to form allows for the existence of tensions as well as resolutions in addressing instabilities ? both below the earth’s plates (tectonic forces) and on its surface (ideological forces).

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