OPEN SITE 7 | Open Call Program【Exhibition】
Kobayashi uses literary expressions to depict the movements of a given thing by comparing it the movements of something else in much the way that the movements of an unfamiliar machine might be likened to the gestures of a familiar animal in a science-fiction story. By replacing concrete objects with movements in fiction, the artist developed a kinetic work that simply extracts movements by, among other things, observing an actual object. By reinterpreting abstract movements deprived of meaning in fiction, Kobayashi speculates on different forms.
Period | 2022/12/10 (Sat) - 2023/1/22 (Sun) |
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Closed | 12/12, 12/19, 12/26, 12/29-1/3, 1/10, 1/16 |
Time | 11:00-19:00 |
Admission | Free |
Venue | Tokyo Arts and Space Hongo: Space B (2F) |
Cooperation | HAPS |
Kage wo Tatekakeru Niko 2021 Photo:Ujin Matsuo
Shoal N 2020 Photo: ToLoLo studio
Sotetsu totetsumonaku nami (Cycad, inordinate ordinary) 2019
Date | 1/7 (Sat) 16:00- |
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Guest | HIGUCHI Kyosuke (science fiction writer) |
Language | Japanese |
Admission | Free *Booking required |
Born in 1992. Based in Kyoto. Kobayashi produces works in which he observes the leaps, discord, and discomfort that arise by intervening with a physical apparatus or object rather than an actual object or historical event while speculating on different forms.